Exiled from Castro’s Cuba, she became a superstar – and a trailblazer in the macho world of salsa. Fans and collaborators including Angélique Kidjo hail an icon of Black empowermentOn 13 November 1973, at Roberto Clemente Coliseum in Puerto Rico, Celia Cruz took to the stage in a bejewelled, psychedelic blue dress and vast afro, saluting the 12,500-capacity arena with her trademark rallying cry: “Azucar!” – sugar.The Cuban singer had been a star for more than two decades by this point, but this concert marked a rebirth. Backed by the Fania All-Stars, the in-house orquesta of the label that brought salsa to the US, Cruz performed Bemba Colorá. Devotees have variously decoded its lyric and “big red lips” metaphor as a repudiation of a neighbourhood gossip, a commentary on anti-Black racism or an anthem for female empowerment. Stretched out to a righteous 12-minute call-and-response in Puerto Rico, she recast the song as a cry of anguish over her exile from her homeland, adding lines like “Yo como el pájaro quiero / mi libertad recobrar” (“Like the bird / I want to regain my freedom”) that channelled the pain of the dispossessed. Continue reading...