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The Guardian // Entertainment // Movies

The Babadook at 10: how a tiny Australian film became a horror hit – and an unlikely queer icon

Sunday 10th November 2024, 2:00PM

They had $2m and six weeks. Everyone hated the name. Test audiences hated the film. Here’s the oral history of how Jennifer Kent’s debut got made – despite the oddsGet our weekend culture and lifestyle emailHis eyes are depthless pools, his mouth a taut rictus. His fingers taper to blade-like claws and he looms like a scarecrow. In the dark you might only make out his cheeks, a shock of bone-white puncturing the night. He is furry, hairy, a little scary. Or maybe he’s just misunderstood?You know the Babadook even if you haven’t seen the film: Australian director Jennifer Kent’s ornate, expressionistic horror that premiered at Sundance in 2014 before becoming a household meme a few years later. The creature leaps from a menacing picture book to torment a single mother, Amelia (Essie Davis), and her son Sam (Noah Wiseman). The pair’s already spiky relationship grows increasingly terrifying as the monster invades their suburban abode. Will they banish him before he tears them apart for good?Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning Continue reading...

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